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Michael Healy

Neil Diamond and The Metaphysics of the Person

Dec. 11, 2012, at 3:51pm

Pop music in general often deals with superficial things, e.g., Jan and Dean’s hit song “Honolulu Lulu” about the courage of a curvy surfer girl to go out and face the big waves.  (In its defense, it does have the one great line revealing the level of religious awareness in the surfing culture: “When the beach is quiet and you know you’re out of luck, we pray for surf while makin’ out in the truck.”)  

Other songs, on a bit higher level, deal with intense emotions, though these powerful feelings are not always particularly well-ordered or understood.  In Neil Diamond’s repertoire, such songs would include “Cracklin’ Rosie,” “Cherry, Cherry,” “Kentucky Woman,” “Thank the Lord for the Night

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Katie van Schaijik

The incipient personalism of romanticism?

Sep. 7, 2009, at 3:22pm

Arts and Letters Daily links today an interesting Newsweek article about Mary Shelly’s novel, Frankenstein. I read it years ago; Jules read it this summer. (Dr. Healy’s quotation of passages from Dracula in his talk on damnation had put him in the mood for catching up on those classics.) What strikes me in particular is the number of personalist thoughts and themes in the article as well as the book. Take just this passage:

The Romantics did not reject science, as Richard Holmes demonstrates in his remarkable new book, The Age of Wonder. (Holmes is also the author of a brilliant biography of Percy Shelley). They were ambivalent. Romantic artists and scientists shared a commitment

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