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Dec. 11, 2012, at 4:51pm
Pop music in general often deals with superficial things, e.g., Jan and Dean’s hit song “Honolulu Lulu” about the courage of a curvy surfer girl to go out and face the big waves. (In its defense, it does have the one great line revealing the level of religious awareness in the surfing culture: “When the beach is quiet and you know you’re out of luck, we pray for surf while makin’ out in the truck.”)
Other songs, on a bit higher level, deal with intense emotions, though these powerful feelings are not always particularly well-ordered or understood. In Neil Diamond’s repertoire, such songs would include “Cracklin’ Rosie,” “Cherry, Cherry,” “Kentucky Woman,” “Thank the Lord for the Night …
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Hi Katie, In John Milbank's "An Essay Against Secular Order" he talks about the reality of forgiveness. He says that without forgiveness being accepted and realized it does not have a true reality. Neither does forgiveness have a true reality if it is merely formal. Receiving forgiveness involves a complete realization of consciousness of egocentricity. This involves a suffering on the receipient of forgiveness. It also involves a suffering on the forgiver through the re-establishing of the bonds of the relationship. -Tim
Jun. 13 at 3:11pm | See in context