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Dec. 11, 2012, at 4:51pm
Pop music in general often deals with superficial things, e.g., Jan and Dean’s hit song “Honolulu Lulu” about the courage of a curvy surfer girl to go out and face the big waves. (In its defense, it does have the one great line revealing the level of religious awareness in the surfing culture: “When the beach is quiet and you know you’re out of luck, we pray for surf while makin’ out in the truck.”)
Other songs, on a bit higher level, deal with intense emotions, though these powerful feelings are not always particularly well-ordered or understood. In Neil Diamond’s repertoire, such songs would include “Cracklin’ Rosie,” “Cherry, Cherry,” “Kentucky Woman,” “Thank the Lord for the Night …
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Gollum too, is a fitting example of addiction.
His 'precious' literally annihilates his personhood--splitting his personality into 2: such that he can no longer say 'me' but only 'we'.
In other words, he is not free to exercise an "I-Thou" relationship of persons, but pitifully, "we-it"
I argue that addiction does precisely this: objectifies the personal dimension of reality, such that everything to the addict can only be viewed in relation to the object, "it". Persons themselves are merely means to the end of possessing "it". It is nothing short of slavery to the "precious"
May. 20 at 4:10pm | See in context